Vampires and ghosts and shapeshifters…oh my! How have African American writers incorporated supernatural elements in their writing? How does it differ from that of mainstream literature? How does privileging the supernatural aid in these authors' examination of the intersections of race, gender, and class?
Course Texts Include:
Kindred, Octavia Butler
Let’s Play White, Chesya Burke
Ancient, Ancient, Kiini Ibura Salaam
Let the Dead Bury Their Dead, Randall Kenan
Song of Solomon, Toni Morrison
Brown Girl in the Ring, Nalo Hopkinson
Mama Day, Gloria Naylor
Stigmata, Phyllis Alesia Perry
Dr. Brooks's research focuses on constructions of black femininity in literature,
film and popular culture, specifically comic books and hip hop videos. Her teaching interests include 20th-Century African American
literature and film with a specific focus on black feminist theory,
horror, and science fiction. She incorporates all manner of
texts in her classes, including film, television, comic books and graphic
novels. Many of her courses are cross-listed with African American
Studies, American Studies, and Women’s Studies.
Please check out this intriguing course!
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